Hi everyone,

I just wanted to announce the newly released video for ‘I Never Woke Up’ from the last Snailhouse record, Sentimental Gentleman. Check it out… The record is of course available from White Whale and Forward Music.

NEW MF RECORD COMING SOON

Also! Remember! Tambourine Death Bed, the new Michael Feuerstack record, is coming out in May through Forward Music. All of the elements are being assembled now, and I am stoked to be able to deliver it to you then.

SALE!

In the meantime, here’s a chance to get up to date with the considerable Snailhouse back-catalogue: all titles (mail order and download) are on mega-sale this winter through snailhouse.bandcamp.com. Stop by and browse! Downloads are pay-what-you-wish and CDs and LPs are cheap. Cheap.

Bests,

MF

ABOUT THE VIDEO:

The concept for the video came mostly out of inspiration drawn from visual artists. Jared and Lindsay were visiting her current home in Los Angeles, and came across a book of work by artist John Stezaker. His photo collages, which replace human faces with faded, postcard landscapes sparked the initial seed of an idea.

Lindsay: “We imagined a faceless character trapped in a state of in-between, who wanders in a surreal landscape, never waking up out of his dream. Though at the time, I’m not sure it rhymed like that. I’d have to check the e-mails.”

Jared: “Michael (Snailhouse) had already contacted us about doing a video, and we managed to pull the shoot together really fast. We based the shoot on a two-day road trip into the desert around Joshua Tree National Park, with cinematographer Pawel Pogorzelski.”

Then the heads were laboriously painted out, frame by frame. Lindsay: “We did all the effects ourselves and Jared had to paint his own head off digitally for hours on end. I think he nearly lost his actual mind doing it.”

Jared: “In some kind of life-imitating art nightmare, I started to dream about the images in the video. I’m not kidding.”

The Design and Look:

The song lent itself to the the surreal dream-like quality of faded post-cards and sun-bleached photos that became the references points for the look and quality of the video. The landscape of the California desert provided the perfect pallet, with its beautiful sunsets and muted colours.

The geometric shapes came out of some further research we did into collage artists like Brion Nuda Rosch and Liam Wylie, along with conversations we had with our editor Nadia Tan who is herself an amazing designer.

Michael: “Everyone involved in the making of this visual depiction of the song have worked beautifully to create a piece that harmonizes perfectly – it brings the imagery within the song to a new place. I love it when a collaboration spins things in a unique and unexpected way.”

Hi Everyone,

As you may have heard, the transition is underway. Said the Gramophone mark it best with their description of A Sentimental Companion.

Things have been quiet around here lately, since returning home from dream prairie tour, when I got to hang out and share music with Zachary Lucky, Carly Maicher, Bry Webb, Mike Brooks, Tyler Belluz, Devon Sproule, Thom Gill, Dave Draves and a whole host of other amazing people. Even ‘Scotch Tape’ Da Ros came along! Thanks to everyone who had a hand in making that happen, including all you listeners.

I also want to send out a special thanks to the Sled Island Snailhouse band ( Aaron Booth, Chris Dadge, Chris Vail, Devon Sproule and Dave Draves), who helped me deliver the Snailhouse hits from through the ages.

The mixes for this new record are progressing beautifully: an album is definitely emerging. The website and mailing list are getting sorted, and soon I’ll be dropping a line to ask you to stay in touch with Michael Feuerstack instead. He rarely bites, and when he does it’s only marginally worse than his horrible, horrible bark.

xo MF

Hey hey,

I just thought I’d put a note up here that fills you in on all the latest news.

New recordings

Tracking has been wrapped up for a new solo recording, as yet untitled. I will be mixing in the coming weeks with Jeremy Gara, who also mixed Lies on the Prize and Sentimental Gentleman. All I can say for now is that I’m very proud, and that it goes in both new and familiar directions all at once. An amazing cast of contributors helped to bring it to life: Jeremy Gara (Arcade Fire), Sebastian Chow (Caroline Keating, formerly of Islands), Colin Stetson (known for his own incredible records, and for his work with Bon Iver among a zillion others), Mathieu Charbonneau (Luyas, formerly of Torngat), Nathan Gage (Eflfin Saddle, Shapes & Sizes), and Laurel Sprengelmeyer (Little Scream). It’s going to be a tweaker of quiet weirdness and bent-up beauty. I’ll keep you posted as it comes together.

A Sentimental Companion: demos and sketches from Sentimental Gentleman

Also, coming very soon (June 5, to be exact) is a special treat: A Sentimental Companion, a 5 song download comprised of sketches and demos leading up to the recording of Sentimental Gentleman, will be available at all the usual digital outlets. It sheds a bit of light on the process of making that record by presenting the songs in their most bare form. I hope you enjoy. Look for it soon.

Shows!

June will see some shows too. I’ll be playing with some of my favourite musicians. I share two shows with the amazing Devon Sproule in Ottawa and Montreal. Her record I Love You, Go Easy has been a rich discovery for me in these last couple of months. Check it out.

After that, I’ll head to the prairies for a string of dates beginning in Sakatoon with MosoFest and ending in Calgary at Sled Island. Many of these shows will with my old friend Bry Webb, whose album Provider is a thing of beauty, and we’ll be joined by the lovely prairie heartbreaker Zachary Lucky.

I can’t say how happy I am to finally be hitting the flatlands – it’s been too long.
That’s enough for now – seems like a lot actually. I’ll try not to keep you all in such suspense next time.

xo
Michael.

Dear reader,

I was worried you would think I was neglecting you, so I thought I should check in.
I’ve been spending a lot of time alone, in my little studio. I’m making music, plain and simple. Songs, songs, songs. Writing, arranging, trying stuff out, seeing what sticks – making it great.
It will still be a while before there’s anything to share, but good things take time.

A few sporadic shows coming up, just because I can’t really stay home completely. Check local listings (especially if you live here in QC).

Anyhow – back to it. More soon.
xo Snailhouse.

Dear reader,

Before I sign off for the year’s end, I offer you a little treat. In case you missed it last year, I wrote and recorded a song for a compilation of Canadian music for the holidays. It was assembled and made available by www.thelineofbestfit.com, a UK based music site. (They made one this year too – check it out)…
My song, “Believer”, was recorded here at home and features Katie Ward on backing vocals. Enjoy below!

2012 is going to rule — hard! I can feel it. The idea is to stay productive, busy and communicative. It’s that simple.

See you soon. Happy holidays – whenever and however that applies to you.

xo Snailhouse

PS – in early 2012, you can expect to hear more about A Sentimental Companion, a collection of raw demos and alternates from the Sentimental Gentleman germination period and beyond.

Hey Gang

I’ve got a few little things to mention, but mostly I just want to say hi, happy holidays (whatever that means to you) and thanks for all your curiosity and support for Snailhouse this year. It’s been good – busy and good. Really busy and really good.

Sentimental Gentleman got a couple of  really nice nods recently.

The album turned up (surprisingly) on the Exclaim’s Folk and Country year end list. I never really saw Snailhouse in that genre, but I guess even when pressed I never really see it in any genre. I can’t complain though – I’m keeping some amazing company on that list (Gillian Welch, Dan Romano, Barr Brothers, Nick Lowe – seriously some of my favourites). Here’s some of what they said.

5. Snailhouse Sentimental Gentleman (White Whale)
… Few artists can so comfortably marry the musical ideals of classic Americana with wildly inventive and exploratory instrumental manipulation and Feuerstack accomplishes that here with aplomb, creating an album of such melodic strength that it should appeal to anyone who loves great songwriting, regardless of genre. - Scott A. Gray

Another nice tip of the hat came from www.folkradio.co.uk, who said “…This is music to dive into, to empathize with and to think about.”

Also, Said the Gramophone, that archive of discovery and magic, included “Apple” on their list of the year’s best 100 songs!

Grayowl Point and Germany’s Crazewire also listed Sentimental Gentleman among their favourites for 2011.

The record also got a sweet bunch of words from HeroHill too, on their musical advent calendar thingy, which was brlliant. Thanks so much! Very kind words:

I owe this record an apology. Not having this record on my Polaris ballot was the biggest musical mistake I made last year. Sure, I loved Sentimental Gentleman and gushed about the quality of Mike’s pen, but over the last year this record has blossomed into something magical. Random couplets he throws into a song would be the pullquote of almost any songwriter alive, so imagine how poignant and perfect his best moments really are. The playfulness and experimentation he adds helps his workmanlike melodies stand proudly alongside his lyrics. Mike’s a treasure that has been overlooked by too many for too long. – Herohill

Anyhow – one other bit of news is that I’ve begun a blog (mindparade.tumblr.com), which I have reserved simply for the of posting audio and video clips of music and art that I admire. So simple. I’ve always meant to reserve a corner of this site for that, but I think this makes more sense. It’s easier to access in case you want to know what I’m into, but you don’t particularly care what Snailhouse is up to!

The plan now is to take a little break, both from shows and from excessive typing, just to sepend time with loved ones and make a whole bunch of new music. I’ll get back to you shortly in the new year. Until then, take it easy.

xo Snailhouse

There’s been an unexpected benefit of all these trips in the past few years. I’ve moved through wonderment at cobblestones and old churches and managed to return enough times that it feels real to be here. I’ve made significant, lasting friends. At first the challenge seemed to be to live in the moment and enjoy the people and places for the time we have together – never really thinking of it as part of my ‘actual’ life. But after a few visits something has changed: my anonymity has dissipated, and I belong (weirdly) here, there and everywhere.

If I am completely honest, I began this tour with a partly defeated feeling – the feasibility and career-mindedness of our work here is a bit of a joke. However, we were determined to have a good time and make the most of it as a holiday doing what we love. Playing music for people never gets old.

There’s no real reason why I should be able to fly so far and be connected to these people and places. For all the problems that are implied, this new small world is totally inspiring. I’ve been enriched by the kindness of our hosts and the dedication and soul of the promoters we work with. This is a loose network of people who simply want to see cool stuff happen, and they are willing to sacrifice their time and energy for it. Hats off to them!

This happens in a variety of settings and across a huge array of classes and styles, and I feel grateful that Snailhouse manages to find a place in each of them. All this to say: sometimes when It’s cold, and I end up eating shitty overpriced pizza in another in a gaudy Christmas market in the cobblestone tourist square, I have to remember to keep my eyes on the prize (whatever it is!).

Sincerely,
Mike.

Dom - Cologne

Snailhorse - Dresden

Xmas market - Anytown DE

Tour reading/listening list so far:
The Collected Stories of Lydia Davis, Tape Op Magazine, The Smiths BBC sessions, Lisa Ekdahl, A Camp, Irma Thomas, Circle C, Sandro Perri and of course Nina Simone.

Dear world

I’m starting to think there are more than 7 wonders of you.

I don’t have the energy to type enough zeroes to tell you how many kms we’ve driven since I last wrote you. I’m exaggerating – there were likely more letters in that sentence than zeroes I would have needed. Anyway, I’ve made my point. We’ve played beautiful shows, for beautiful people in beautiful places – but we’ve had to drive a long way each day to do it. Boo hoo.

I still feel lucky and grateful. Seems like we have really just barely begun this tour. I realize I haven’t given you much so far, but hey, a man’s got to sleep too. He can’t spend all his down time typing. Here are some treats for now.

Sincerely, Mike.

Autobahn from Prague to Berlin (or, this can't be right)

Tubed cat. Leiden NL

You can't tell, but this bear is almost as big as me.

Hi

I’m writing you now from Prague. We’ve just had time for a couple of short, aimless walks, but we couldn’t drive through on a day off and not stop to check it out.

So far we have had a terrific time – with really fun shows in Zwolle, Leiden, Offenbach, Munich and Graz. I’ll leave you with a video from the lovely folks who organized out Munich show. Visit hauskonzerte.com to see what other kinds of great things they are doing.

From here we’ll head to Berlin, where we play tomorrow at Schokoladen. I’ll send more information when I can.
- Mike F.

I just returned from the East coast, where the Snailhouse band was re-united to play some shows in Sackville, Halifax PopExplosion and Fredericton. Thanks so much to all of you who showed up to these shows. Heartwarming!

Special thanks to Bob Deveau, who filled in on the trap-skins for our dear Mr Belyea who is adrift internationally. Bob nailed it, and was a pleasure to hang with (when he wasn’t yelling at strangers***see below). Thanks also to the rest of the band who never, ever mess up in any kind of way that matters.

Kyle Cunjak, and "Toilet: The Novel"

Nick Cobham

Fish Denny and Baub

True Story:

I was saying my goodbyes to Tim “awesome set” Walker and Brad “high class food items” Perry outside Fredericton’s Capital Bar after our show there with Ohbijou, when we were approached by an inebriated young lady.

Though drunk, Brittany still had her charms intact, and she told us she had stolen a globe from somewhere. When she went to the dance bar, she checked it at coat-check (presumably she had to charm them too). At the end of her visit to the establishment, she went to pick it up.

The doorman was all like: “A globe?”
To which Brittany goes: “You know, like an atlas but big and round…”

By the time we met Brittany she no longer had the globe in her possession. I like to think that she bestowed it on someone more needy and less wise. All I really know for sure is that she taught me a mind-load: You can coat check the f—ing globe! If that’s not something to live by, nothing is.

Brittany told us we were the best part of her night, which I take as a huge compliment when I imagine how her night went down. Likewise – charmed, I’m sure. Coat check the globe.

Sincerely,
Snailhouse

*** Notable exception: Yelling “nice rack” at “clothes guy.”

Snailhouse

Next: in Laval for Diapason Festival and yes, the European dates have now been posted!!! See you out there.